Before audio playlists, before CDs or cassette tapes, even before vinyl, there were wax cylinders. By the late 1890s, sliding a wax cylinder onto a Thomas Edison phonograph was the way that people listened to commercial music. It was also a way they could record themselves.
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Early opera recordings on wax cylinders 1900–1904, recorded by Lionel Mapleson. Robert Kato Lionel/New York Public Library hide caption
It’s 1903 in New York City. Freezing winter winds funnel through the city as women in elaborate evening gowns and long white gloves and men in long dark tailcoats make their way to the Metropolitan Opera house on 39th Street. Tonight, for only the third time, the Met’s production
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